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Tuesday, 24 June 2008
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Currently Reading
Beyond Good and Evil (Penguin Classics)
By Friedrich Nietzsche
see relatedNietzsche
Blind pupils. -- As long as a man knows very well the strength and weaknesses of his teaching, his art, his religion, its power is still slight. The pupil and apostle who, blinded by the authority of the master and by the piety he feels toward him, pays no attention to the weaknesses of a teaching, a religion, and soon usually has for that reason more power than the master. The influence of a man has never yet grown great without his blind pupils. To help a perception to achieve victory often means merely to unite it with stupidity so intimately that the weight of the latter also enforces the victory of the former.
from Nietzsche's Human, all too Human, s.122, R.J. Hollingdale transl.The compassionate Christian.-- The reverse side of Christian compassion for the suffering of one's neighbor is a profound suspicion of all the joy of one's neighbor, of his joy in all that he wants to do and can.
from Nietzsche's Daybreak,s. 80, R.J. Hollingdale transl.
Doubt as sin.-- Christianity has done its utmost to close the circle and declared even doubt to be sin. One is supposed to be cast into belief without reason, by a miracle, and from then on to swim in it as in the brightest and least ambiguous of elements: even a glance towards land, even the thought that one perhaps exists for something else as well as swimming, even the slightest impulse of our amphibious nature- is sin! And notice that all this means that the foundation of belief and all reflection on its origin is likewise excluded as sinful. What is wanted are blindness and intoxication and an eternal song over the waves in which reason has drowned.
from Nietzsche's Daybreak,s. 89, R.J. Hollingdale transl.
Knapsack of the Metaphysicians.-- Those who boast so mightily of the scientificality of their metaphysics should receive no answer; it is enough to pluck at the bundle which, with a certain degree of embarrassment, they keep concealed behind their back; if one succeeds in opening it, the products of that scientificality come to light, attended by their blushes: a dear little Lord God, a nice little immortality, perhaps a certain quantity of spiritualism, and in any event a whole tangled heap of 'wretched poor sinner' and Pharisee arrogance.
from Nietzsche's Assorted Opinions and Maxims,s. 12, R.J. Hollingdale transl.
How I understand the philosopher -- as a terrible explosive, endangering everthing... my concept of the philosopher is worlds removed from any concept that would include even a Kant, not to speak of academic "ruminants" and other professors of philosophy...
from Nietzsche's Ecce Homo, s 3.2.3, Walter Kaufmann transl.
There are no facts, only interpretations.
from Nietzsche's Nachlass, A. Danto translation.
Enemies of truth.-- Convictions are more dangerous enemies of truth than lies.
from Nietzsche's Human, all too Human, s.483, R.J. Hollingdale transl.
Linguistic danger to spiritual freedom.-- Every word is a prejudice.
from Nietzsche's The Wanderer and his Shadow,s. 55, R.J. Hollingdale transl.
Man and things.-- Why does man not see things? He is himself standing in the way: he conceals things.
from Nietzsche's Daybreak, s. 483, R.J. Hollingdale transl
Mystical explanations.-- Mystical explanations are considered deep. The truth is that they are not even superficial.
from Nietzsche's The Gay Science, s.126, Walter Kaufmann transl.
Metaphysical world.-- It is true, there could be a metaphysical world; the absolute possibility of it is hardly to be disputed. We behold all things through the human head and cannot cut off this head; while the question nonetheless remains what of the world would still be there if one had cut it off.
from Nietzsche's Human, All Too Human, s.9, R.J. Hollingdale transl.
Just beyond experience!-- Even great spirits have only their five fingers breadth of experience - just beyond it their thinking ceases and their endless empty space and stupidity begins.
from Nietzsche's Daybreak, s. 564, R.J. Hollingdale transl
Morality makes stupid.-- Custom represents the experiences of men of earlier times as to what they supposed useful and harmful - but the sense for custom (morality) applies, not to these experiences as such, but to the age, the sanctity, the indiscussability of the custom. And so this feeling is a hindrance to the acquisition of new experiences and the correction of customs: that is to say, morality is a hindrance to the development of new and better customs: it makes stupid.
from Nietzsche's Daybreak,s. 19, R.J. Hollingdale transl.
Whoever has overthrown an existing law of custom has always first been accounted a bad man: but when, as did happen, the law could not afterwards be reinstated and this fact was accepted, the predicate gradually changed; - history treats almost exclusively of these bad men who subsequently became good men!
from Nietzsche's Daybreak,s. 20, R.J. Hollingdale transl.
My idea is that every specific body strives to become master over all space and to extend its force (--its will to power:) and to thrust back all that resists its extension. But it continually encounters similar efforts on the part of other bodies and ends by coming to an arrangement ("union") with those of them that are sufficiently related to it: thus they then conspire together for power. And the process goes on--
from The Will to Power, s.636, Walter Kaufmann transl.Remorse.-- Never yield to remorse, but at once tell yourself: remorse would simply mean adding to the first act of stupidity a second.
from Nietzsche's The Wanderer and his Shadow,s. 323, R.J. Hollingdale transl.
The metaphysical comfort--with which, I am suggesting even now, every true tragedy leaves us--that life is at the bottom of things, despite all the changes of appearances, indestructibly powerful and pleasurable--this comfort appears in incarnate clarity in the chorus of the satyrs, a chorus of natural beings who live ineradicably, as it were, behind all civilization and remain eternally the same, despite the changes of generations and of the history of nations.
from Nietzsche's The Birth of Tragedy,s. 7, Walter Kauffman transl.
The greatest weight.-- What, if some day or night a demon were to steal after you into your loneliest loneliness and say to you: "This life as you now live it and have lived it, you will have to live once more and innumerable times more; and there will be nothing new in it, but every pain and every joy and every thought and sigh and everything unutterably small or great in your life will have to return to you, all in the same succession and sequence - even this spider and this moonlight between the trees, and even this moment and I myself. The eternal hourglass of existence is turned upside down again and again, and you with it, speck of dust!"
Would you not throw yourself down and gnash your teeth and curse the demon who spoke thus?... Or how well disposed would you have to become to yourself and to life to crave nothing more fervently than this ultimate eternal confirmation and seal?from Nietzsche's The Gay Science, s.341, Walter Kaufmann transl.
Thursday, 13 September 2007
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Currently Gaming
Silent Hill 4: The Room
By Konami
see relatedhigh
bed of thorns
BLOG LEAVE
gambler without sin
house of shit
Lucifer the believer
Thursday, 30 August 2007
Thursday, 16 August 2007
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Currently Listening
Everything in Transit
By Jack's Mannequin
see relateddesired things
Desiderata
Go placidly amid the noise and haste,
and remember what peace there may be in silence.
As far as possible without surrender
be on good terms with all persons.
Speak your truth quietly and clearly;
and listen to others,
even the dull and the ignorant;
they too have their story.
Avoid loud and aggressive persons,
they are vexations to the spirit.
If you compare yourself with others,
you may become vain and bitter;
for always there will be greater and lesser persons than yourself.
Enjoy your achievements as well as your plans.
Keep interested in your own career, however humble;
it is a real possession in the changing fortunes of time.
Exercise caution in your business affairs;
for the world is full of trickery.
But let this not blind you to what virtue there is;
many persons strive for high ideals;
and everywhere life is full of heroism.
Be yourself.
Especially, do not feign affection.
Neither be cynical about love;
for in the face of all aridity and disenchantment
it is as perennial as the grass.
Take kindly the counsel of the years,
gracefully surrendering the things of youth.
Nurture strength of spirit to shield you in sudden misfortune.
But do not distress yourself with dark imaginings.
Many fears are born of fatigue and loneliness.
Beyond a wholesome discipline,
be gentle with yourself.
You are a child of the universe,
no less than the trees and the stars;
you have a right to be here.
And whether or not it is clear to you,
no doubt the universe is unfolding as it should.
Therefore be at peace with God,
whatever you conceive Him to be,
and whatever your labors and aspirations,
in the noisy confusion of life keep peace with your soul.
With all its sham, drudgery, and broken dreams,
it is still a beautiful world.
Be cheerful.
Strive to be happy.
~ Max Ehrmann ~
Monday, 06 August 2007
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Currently Reading
Tell Me Your Dreams
By Sidney Sheldon
see relatedthe lonely assasin
"Is there really no way to reach me?"
I'm an optimistic type of person but being so lonely these days:
migraine.
I always feel weak and sick or maybe because I'm lazy in nature:
toothache.
I'm taking up nursing yet i care less of the beaten and the damned:
ingrown.
I think these, am i right to say that I'm an optimistic type of person?:
febrile.
My favorite author passed away on January 30, 2007.
His wife Alexandra was by his side.
And this is an excerpt from his last published book. 2005.The Other Side of Me
by Sidney Sheldon
CHAPTER 1
At the age of seventeen, working as a delivery boy at Afremow's drugstore in Chicago was the perfect job, because it made it possible for me to steal enough sleeping pills to commit suicide. I was not certain exactly how many pills I would need, so I arbitrarily decided on twenty, and I was careful to pocket only a few at a time so as not to arouse the suspicion of our pharmacist. I had read that whiskey and sleeping pills were a deadly combination, and I intended to mix them, to make sure I would die.
It was Saturday—the Saturday I had been waiting for. My parents would be away for the weekend and my brother, Richard, was staying at a friend's. Our apartment would be deserted, so there would be no one there to interfere with my plan.
At six o'clock, the pharmacist called out, "Closing time."
He had no idea how right he was. It was time to close out all the things that were wrong with my life. I knew it wasn't just me. It was the whole country.
The year was 1934, and America was going through a devastating crisis. The stock market had crashed five years before and thousands of banks had failed. Businesses were folding everywhere. More than thirteen million people had lost their jobs and were desperate. Wages had plunged to as low as a nickel an hour. A million vagabonds, including two hundred thousand children, were roaming the country. We were in the grip of a disastrous depression. Former millionaires were committing suicide, and executives were selling apples in the streets.
The most popular song was "Gloomy Sunday." I had memorized some of the lyrics:
Gloomy is Sunday
With shadows I spend it all
My heart and I
Have decided to end it all
The world was bleak, and it fit my mood perfectly. I had reached the depths of despair. I could see no rhyme or reason for my existence. I felt dislocated and lost. I was miserable and desperately longing for something that I couldn't define or name.
We lived near Lake Michigan, only a few blocks from the shore, and one night I walked down there to try to calm myself. It was a windy night, and the sky was filled with clouds.
I looked up and said, "If there is a God, show yourself to me."
And as I stood there staring at the sky, the clouds merged together, forming a huge face. There was a sudden flash of lightning that gave the face blazing eyes. I ran all the way home in a panic.
I lived with my family in a small, third-floor apartment in Rogers Park. The great showman Mike Todd said that he was often broke but he never felt poor. I, however, felt poor all the time because we were living in the demeaning kind of grinding poverty where, in a freezing winter, you had to keep the radiator off to save money and you learned to turn the lights out when not in use. You squeezed the last drops out of the ketchup bottle and the last dab of toothpaste out of the tube. But I was about to escape all that.
When I arrived at our dreary apartment, it was deserted. My parents had already left for the weekend and my brother had gone. There was no one to stop me from what I intended to do.
I walked into the little bedroom that Richard and I shared and I carefully removed the bag of sleeping pills I had hidden under the dresser. Next, I went into the kitchen, took a bottle of bourbon from the shelf where my father kept it, and carried it back to the bedroom. I looked at the pills and the bourbon and I wondered how long it would take for them to work. I poured some whiskey into a glass and raised it to my lips. I would not let myself think about what I was doing. I took a swallow of the whiskey, and the acrid taste of it made me choke. I picked up a handful of sleeping pills and started to raise them to my mouth, when a voice said, "What are you doing?"
I spun around, spilling some of the whiskey and dropping some of the pills.
My father was standing in the bedroom doorway. He moved closer. "I didn't know you drank."
I looked at him, stunned. "I—I thought you were gone."
"I forgot something. I'll ask you again: What are you doing?" He took the glass of whiskey from my hand.
My mind was racing. "Nothing—nothing."
He was frowning. "This isn't like you, Sidney. What's wrong?" He saw the pile of sleeping pills. "My God! What's going on here? What are these?"
No plausible lie came to my mind. I said defiantly, "They're sleeping pills."
"Why?"
"I'm going to—to commit suicide."
There was a silence. Then my father said, "I had no idea you were so unhappy."
"You can't stop me, because if you stop me now I'll do it tomorrow."
He stood there, studying me. "It's your life. You can do anything you want with it." He hesitated. "If you're not in too big a hurry, why don't we go for a little walk?"
I knew exactly what he was thinking. My father was a salesman. He was going to try to talk me out of my plan, but he didn't have a chance. I knew what I was going to do. I said, "All right."
"Put on a coat. You don't want to catch cold."
The irony of that made me smile.
Five minutes later, my father and I were headed down windswept streets that were empty of pedestrians because of the freezing temperature.
After a long silence, my father said, "Tell me about it, son. Why do you want to commit suicide?"
Where could I begin? How could I explain to him how lonely and trapped I felt? I desperately wanted a better life—but there was no better life for me. I wanted a wonderful future and there was no wonderful future. I had glowing daydreams, but at the end of the day, I was a delivery boy working in a drugstore.
My fantasy was to go to college, but there was no money for that. My dream had been to become a writer. I had written dozens of short stories and sent them to Story magazine, Collier's, and The Saturday Evening Post, and I had gotten back printed rejections. I had finally decided I couldn't spend the rest of my life in this suffocating misery.
My father was talking to me. ". . . and there are so many beautiful places in the world you haven't seen . . ."
I tuned him out. If he leaves tonight, I can go on with my plan.
". . . you'd love Rome . . ."
If he tries to stop me now, I'll do it when he leaves. I was busy with my thoughts, barely listening to what he was saying.
"Sidney, you told me that you wanted to be a writer more than anything in the world."
He suddenly had my attention. "That was yesterday."
"What about tomorrow?"
I looked at him, puzzled. "What?"
"You don't know what can happen tomorrow. Life is like a novel, isn't it? It's filled with suspense. You have no idea what's going to happen until you turn the page."
"I know what's going to happen. Nothing."
"You don't really know that, do you? Every day is a different page, Sidney, and they can be full of surprises. You'll never know what's next until you turn the page."
I thought about that. He did have a point. Every tomorrow was like the next page of a novel.
We turned the corner and walked down a deserted street. "If you really want to commit suicide, Sidney, I understand. But I'd hate to see you close the book too soon and miss all the excitement that could happen to you on the next page—the page you're going to write."
Don't close the book too soon . . . Was I closing it too soon? Something wonderful could happen tomorrow.
Either my father was a superb salesman or I wasn't fully committed to ending my life, because by the end of the next block, I had decided to postpone my plan.
But I intended to keep my options open.
Like mister Sidney,
I thought of commiting suicide,
and I can't explain why:
psycho.
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